for Joan & Peter Wood
Mid-March in the Clove, between the Backslabs and Lost City,
shadow spreads across the Coxing, creeping along the marsh,
round the mounds of tuft. Having played for a day,
water returns to dream as ice.
Bzeep bzeep bzeep too soon for bugs, then this lump of leaves
skeets whistling past backlit in yellow above the trees.
The valley's imagination, at last, is up. Desire's tremolo begins
to finger Spring from the piccolo bill of the homely woodcock.
A sandpiper on dachshund legs, eyes like black roe
hatch where his ears aught to be, to periscope bob for bobcat
as limps plumb mud until he wrings and sucks
the coiling worm still, taking its dervish death
airborn. Zigzags back and away spiraling up
through melon and rose and cobalt ellipses
(lekking drab, he must dandy the sunset) becoming speck,
dissolves to nothing but solo notes, dissolves to nothing
into the purple height of silence.
Having astonished, Eros vanishes.
Drawn from thorn and muck, the Soul stirs
in grass and twig, in rock and lobe,
tip-toe listening, waiting, waiting: at Winter's end,
Beauty has pronounced her last sentence.
First starlight, out of the cold dome comes
the oblong missile smashing off the anvil air.
Here, and here and here, then everywhere arc
warbletwittertrills spraying calliope
down from rim to rim in the pitch of sweet relief.
Halts, melds his bits with the last light
above the thickets, returns mum as a drop of blood
thumped in the mitt of the heart, returns
as the broken god to giggling, to the smitten.
Too late for bobcat, no pounce will jolt those eyes.
I will leave him here among the rushes, beside the melted Coxing,
for the woken bugs to pluck and tuck his arabesque
into the guts of love breaking from the Clove,
breaking already in echo.
In coloratura mid the din of browns, crocus,
and hanging in the clang of yellow-belled forsythia;
echo of woodcock beginning
what has begun.
Shongum ain\'t Indian,